Very light (6.5 kg – 14 lbs) and therefore easy to move around – perhaps thanks to the optional handle on the back – and, for everyday practicality, its cover is fully removable.
Ligne Roset
Vik
As with the Finn chair, Vik’s wooden base achieves a successful balance between graceful looks and firm stability. Its very pure design enables it to fit into all types of interior.
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Technical Specifications
CONSTRUCTION & COMFORT
Seat/back shell in molded beech multi-ply. Base
in solid ash with protective gliders. Integral seat
and back cushions in high resilience
polyurethane Bultex foam (60 kg/m3 - 7,5 kPa
and 37 kg/m3 - 2,7 kPa), with 100 g/m²
polyester quilting. For guaranteed longevity the
cushions are bordered with a layer of high
density agglomerated foam. Armrests clad in
high resilience polyurethane Bultex foam (28
kg/m³ - 1.6 kPa).
MAKING-UP
Baguette stitching. Covers are held in place by
gripper strips and are fully removable.
In the version with handle, the latter is
positioned on the rear of the back and
comprises a steel core covered in the same
covering material as the chair.
FABRICS
All fabrics, microfibres and leathers.
Seat/back shell in molded beech multi-ply. Base
in solid ash with protective gliders. Integral seat
and back cushions in high resilience
polyurethane Bultex foam (60 kg/m3 - 7,5 kPa
and 37 kg/m3 - 2,7 kPa), with 100 g/m²
polyester quilting. For guaranteed longevity the
cushions are bordered with a layer of high
density agglomerated foam. Armrests clad in
high resilience polyurethane Bultex foam (28
kg/m³ - 1.6 kPa).
MAKING-UP
Baguette stitching. Covers are held in place by
gripper strips and are fully removable.
In the version with handle, the latter is
positioned on the rear of the back and
comprises a steel core covered in the same
covering material as the chair.
FABRICS
All fabrics, microfibres and leathers.
Meet the designer
Thibault Desombre
Cabinet maker and Compagnon du Tour de France, Thibault Désombre is passionate about furniture and design and enrolled at the Ecole Nationale des Arts Décoratifs, Paris in 1981. His first creations after graduating were for P. Parent (1983), then he went on to design the Shaker’s collection for Grange (1986), which turned out to be his first great commercial success.
Building on this dramatic debut, he went on to produce more and more contemporary designs in fields as diverse as office furniture (Macé, Addform), contracts (Soca Line), and homes (Ligne Roset, Cinna, Atlantis) and has won numerous prizes for his work. Now a lecturer, he has been consultant designer for La Redoute for 2 years, and has a generally tranquil style, which takes little heed of current trends. His creations are typified by their pure, clean lines, which he endeavours to charge with emotion and affection. His collections for Ligne Roset and Cinna such as the Pi and Finn chairs, the Mama lamp and the Bora decanter exquisitely embody this philosophy.
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